ILHC 2014 – A Champion

I had SUCH a great time at ILHC this year because I was so freaking busy doing like I do: two Pro/Ams, Slow Division with Mikey Pedroza, Showcase with Kevin St. Laurent, and commentary on Swing Nation’s live streaming of the Invitational Strictly.

First things first: The Pro/Am! Tim worked his balls off to get this choreography together with me. I’m so proud of him and how well he did on Game Day!

Felipe and I worked on this choreography while at Herrang this year. He dedicated so many  hours to this choreography and it shows. Yeah yeah!!

And did I mention he is Brazilian :D

What can I say other than dancing with Mikey is a blast. Just look at how silly we are together!

At ILHC 2013, we did pretty well by taking 2nd place, but this year we won. Huzzah!!

Showcase Division: Ha!!! It was our year (***reminiscent of Strictly Ballroom)!

First place in the Showcase Division. Pretty proud of ourselves.

And, last but not least, Swing Nation time!!

So, yeah, a great year. Can’t wait to see what I can create for 2015!

ILHC 2014 Jo & Kevin

Picture by David Soltysik



Czech Fashion Magazine

Kevin and I made it into a Czech Men’s Fashion Magazine. Needless to say, I’m pretty thrilled!

For Men

Czech photoshoot

Oh my, who are these lovely lindy hoppers? Katja Završnik and Peter Winqvist Loggins

Katja Završnik and Peter Winqvist Loggins

Pamela Gaizutyte and Juan Ignacio Villafane
Pamela Gaizutyte and Juan Ignacio Villafane


“Top swing dance teachers from around the world showing their best pieces from swing era. For Men Magazine May 2015. The magazine text says: swing, sexy, cool as shit and so on…”

Photographer: Matej Tresnak Photography


Top Moments from 2013

A quick review of how EPIC 2013 was for me. In chronological order, I present to you:

1. Attending my first Viennese Ball at the Philharmonic in Vienna, Austria.


I wore a vintage 1930s gown, my Remix shoes, and a feather fascinator from Etsy. What a gorgeous facility! Kevin and I waltzed a few times and stayed awake until the wee hours of the morning. De.lightful!!

2. The best birthday party EVER!!

birthday 2013
The theme: Thrift Store. Instead of getting presents, I asked everyone to bring $29, come down to the thrift store with me and the gang, and buy clothes for someone else. After that, it was fashion show time. And beer. :D

3. My younger brother got married


4. Dancing on the Great Wall of China

Great Wall


5. Outrageously good time at The Mooche in Cork, Ireland. Thanks Daragh!!

The Mooche

Kevin and I stayed in a fabulous B&B, ate a proper “British Breakfast”, hung out with some fabulous misfits, taught some super fun classes, and hung out with One Horse Pony – some fabulous local musicians.

6. Choreographing for Swing X with Dax Hock & Sarah Breck.

Traveling in Style

Traveling in Style


“You see Dax, I want you to feeeeel like you’re in love. Take her like ‘dis…hold her like ‘dis…..”

Swing x

Talking through the next set of shots

Not only did Kevin and I get to choreograph and advise on our first full-length film, but we also got to visit Middle America. Whoa.

7. Attending the Jazz Age Lawn Party on Governors Island and getting into the Fashion section of the NY Times

Jazz party


I’ll see if I can find a bigger picture of it, but I’m on the far left, second row up from the bottom. Kevin and I also took 1st & 2nd place in the Charleston Contest.

8. Taking Second Place with Mikey Pedroza at ILHC in the Slow Division.

ilhc slow


9. Being inducted to the California Swing Dance Hall of Fame – as a Rising Star and as a Couple (thanks Kev!!)

Photo by Steve Hwan

Photo by Steve Hwan

Rising Star – The Rising Star is a Champion that has been around from ten to twenty years. It strives to make its place in the Swing Dance Heavens through its ongoing participation within the Milky Way of Competition.

Couples – Couples stands out with special brilliance among other swing partnerships.

10. Rio de Janeiro, Brazil – samba, Copacabana, Ipanema, and amazing people

F - brazil 2


11. Dancing my ass off at Lindy Shock in Budapest, Hungary.

lindy shock

Countless nights I was up until 5am dancing. Mostly I’d go home because I had work in the morning and my feet were on fire. Some of my most memorable dances from the weekend were with Dax Hock. Thanks man!

12. Performing the Jungle Book number with my new team at Lindy Focus: ‘Monkey’ Mikey, ‘Lioness’ Gaby, and ‘White Tiger’ Kevin.

New Orleans Bump

Lindy Focus XI – New Orleans Bump

Evita Arce is one of those women that you can never forget. She is charming, bubbly, sunshine, and a connector. She is a choreographer, a dancer, a creator, and an inspirational figure. This year for Lindy Focus, she invited me to perform along with her and Elyse Sparkes. This was the most challenging number I performed in 2012.


I had my eye on that dress for quite sometime, so when Evita said we were rocking the turtleneck dress, I was all over it!

I didn’t hit the number, but it doesn’t matter – I had such an amazing time being on stage with those lovely ladies! I am really looking forward to doing this number again somewhere so I can dance my roll the way I know I can. Regardless of that, it was an honor and pleasure to dance along side of these lovely ladies.

How to Learn Choreo off of Video

Originally posted on Jo & Kevin!

It’s that time of year again, when many of the instructors at Lindy Focus are working on choreography either for an evening performance or the grand New Years Eve show. Since I, too, am working on learning choreography, I figured I’d share my process with you.

Truth be told, I’d much prefer to learn choreography in person, however, most often that is not an option. I’ve had the priveledge of working with other talented, international travelers such as: Nikki and Shesha MarvinMikey PedrozaLaura KeatNick WilliamsSharon DavisAlice MeiThomas Blacharz, and Sarah Breck – to name a few – and more often than not, someone sends a video across the WWW and hopes the person on the receiving end can learn the choreography in full. In my last performance with Alice, I sent her my notes (I will give an example later), a few breakdown videos, and a link to me performing the routine.

Check us out! Alice was a freaking champ at learning all of the details! We probably got 4-5 hours of rehearsal time in together before our performance, but that is rather unusual. Honestly, if you can get a full hour with your partner before performance time, it’s a blessing!

So moving along. The wonderful, marvelous, and effervescent Evita Arce sent me a piece of choreography to learn and it’s a really fun number. The song is New Orleans Bump by Wynton Marsalis and the dancers in the video are trained, New-York-dancers. What this means is that I have my work cut out for me!

To be specific, I have been sent a rehearsal video that is done to music; I didn’t get any prior notes or counts or explanations or anything of the sort. The reason this might be on interest is that I’m going to learn exactly what’s on the video, including any mistakes the dancers made in the video. Since I don’t have confirmation on the movement, I sometimes have to find the common denominator between the dancers when their timing isn’t together. Fun times!

I’m going to give a rundown of my process learning choreography. This isn’t the only way to do it, but it’s how I am best able to learn/visualize the choreo on a number of different levels.

  1. Download the video so I can watch it forwards and backwards. This helps me break down transitions, tricky timing, or something much-too-fancy to see at realtime. I’m on a mac and I prefer using Quicktime over a different player because I can comb through the video second by second. Suuuuuuuuuper important!
  2. Get a hold of the song. Check Spotify, buy it on Itunes, check your personal music library, or get it from the choreographer.
  3. Breakdown the song. I first break it down into eight-counts so I can see how long it is. I go through it again and put in time codes. I go through it one more time and put in musical cues that can help me identify what is where. Here’s a screenshot of what that might look like.

    So what are we looking at?
    I have my downloaded Quicktime video (upper left), I’m playing the song off of Spotify (lower left), and I’m writing my choreo down in Evernote (righthand side).
  4. Now here comes the (potentially) difficult part: breaking down the movement 8-count by 8-count. What is helpful for me to know is what foot my weight is on (if you’ve taken classes from me you know how important this is), what my arms are doing, and what count something happens on. I don’t need all of that information on every 8ct, but I need at least one of those three things.
  5. After I annotate a few phrases, I’ll go back through the video and do the choreography with my body. I go through the sections slowly. First I need to know where my body is going, and then I need to learn to string it together with the movement on either side of it.
  6. Once I have a decent idea of where my body is going, I then put the video on and try to dance that section with the music at full tempo.
  7. Next, I break down a few more phrases, dance it, and put it to music. It doesn’t need to be perfect, but something that looks similar to the video :D
  8. Once I make it to the end of the choreography, I then try to run the routine while watching the video. I’m not worried if it’s a disaster. Again, I just want to be able to get through it.
  9. DAY TWO: Yup, this takes me more than one day if I’m really going to perform it. I put the video on and try dancing it again. This shows me what solidified and what didn’t.
  10. Go back to the sections that I can’t remember or suck at. I go through them slowly to build the muscle memory I am lacking. When I do this, I take my time.
  11. Once I can do it all the way through (again, it doesn’t need to be perfect), I turn off the video and do it just to music. When I find the next set of glitches I work through those (I’m always surprised how many visual cues I’m taking). This is helpful in order to attach the movement to the music. Again, I rework the sections I can’t remember or suck at.
  12. Almost there! Now I need to try it facing the other way! What?? Yes-sir-ree! I have found I can learn choreography faster when I keep myself positioned in one direction in a room. I know at certain points in the music I should be facing a certain direction. If you can get through your piece of choreo while doing the routine facing a different direction, you should be fiiiiiiine.
  13. Last step!! Dancing it in costume!! Perhaps that seems silly, but it makes a HUGE different. Every – do you hear me? – everyprofessional knows they should run their routines in the costume before taking the stage. If you learn the routine in flats but have to perform in heels, you’ll probably be surprised with where you balance is. If you’ve been practicing in one skirt but performing in another, you might not know how slippery the material is (that’s terrifying while doing aerials). That fun thing you’re planning on wearing in your hair? Yeah, that might get knocked off, stab you in the eye, or stab your partner in the eye. The thing is, you’ll never know unless you’ve had at least one run. So do it. Full costume. Underwear and hair pieces. Do it.

So there you have it!  What do you think? Ridiculous? Amazing? Unnecessary? Fun?



  • Send the song along with the videos (yes, plural)
  • Make a video with you performing the piece full out to music (don’t mark it, do it)
  • If you’re feeling extra generous, do it again but facing away from the camera so someone doesn’t have to transpose
  • Make a video with you walking through the movement with counts. Remember to say things like “the weight is on the right”, “left arm on 7″, “move downstage starting count 5″, etc.
  • I’ve you’ve broken down the song, send that as well
Is this overkill? Yeah, maybe, but it’s almost everything someone would need in order to learn somebody else’s choreography. I don’t often have the time to put this much together when I’ve sent videos in the past, but I’m also working with other professionals and can get by with less information. That being said, if I had more videos from the back (or even side view), it would help me out :D


Here is a short list of routines where I’ve had to do this:

Everybody’s Trucking – Choreographed by Sharon Davis
Evenin‘ – choreographed by Nathan Bugh
Blues – Choreographed by Sarah Breck
Shake that Thing – Choreographed by Hot Club Stomp
Honolulu – Originally performed by Eleanor Powell


‎”It turns out that the process of working toward a goal, participating in a valued and challenging activity, is as important to well-being as its attainment.” – Sonja Lyubomirsky

KickStart: The Speakeasy Three


Hello Ladies and Gents! We are three lasses from Brighton; Corrine (the sassy Blonde), Elizabeth (the sultry brunnette) and Nastazia (the fiery redhead) and together we make up vocal harmony trio ‘The Speakeasy Three’.

We gained the accompaniment of the best swing jazz band in Brighton ‘The Swing Ninjas’ along with our fantastic musicians to collaborate on an amazing track by Ella Fitzgerald, called ‘When I Get Low I Get High’.

We are filming on December 2nd at the Proud Ballroom formerly the Hanbury ballroom, a venue which has finally fulfilled its potential as performance venue. The music video will be very much a performance based one, centred around the collaborating groups but also focusing on the 20 or so lindy hoppers and jive dancers taking part, not to mention the 80 or so extras on top of that.
Production wise, we’ve already secured all equipment, venue is paid for, make up, hair, costume and art dept is all sorted as well, so things are progressing well. We are shooting on motion picture cameras (Sony F3 and FS700) and we’ll be employing industry standard grip equipment to allow us a truly cinematic feel (think track and dollies and cranes).What do we need from you?
With the venue secured and equipment already sourced, most of the big overheads are covered, but with over 100 extras and crew not to mention the band shooting for 12 hours, we are worried about people running on empty. Because of all the hard work put in and no money being exchanged between anyone we want everyone to be well fed and at the very least cover their expenses as we feel its the least we can do. We dont expect to feed everyone breakfast, lunch and dinner, but a hot meal and a beer at the end of the day will go a long way!

Want to help  pay for a few expenses and catering for the shoot? Want to be apart of something fun? Then head over to the  kickstarter page to help them reach the last bit of funding they need!!

Paris in April

Back in April of this year, I went to visit one of my lovely American friends in Paris. Here are some of my pictures.

Karen Turman was gracious enough to share her place with me while I was in town. Just check out the view out of my living room window. Isn’t it gorgeous?! Within 10 minutes of getting to her place, we were off to grab a decadent bite to eat. Later that evening, we went out with one of Karen’s classmates, argued in French with the waiter, got drunk, and stumbled home. Honestly, I couldn’t have asked for a better first day.

The following day, Karen and I headed off to go get our hair layered at Espace Coiffure Paris. Seriously, it was the best hair cut I’ve ever had. Just check out Karen and my sexy layers!!! After an extended afternoon at the hairdressers, we swung by a market, grabbed some veggies, and then headed back to Karen’s fabulous apartment for some home cooking! Alex Dryer whipped up something delish while Fancy Dougherty entertained us with stories. Again, another delightful day in Paris.

My last full Parisian day was quite the adventure. Alex, Fancy, and I went to the Champagne Region and toured 4 champagne-eries. Needless to say, I was drunk by 11am and loving life. :)

Here’s a fun little story for ya: In case you didn’t know, the French are very…. French. What does that mean? Let’s take “customer service” as an example. In the States, there is an attitude of “the customer is always right” and will be accommodated in some way, shape, or form. In France, however, that is not the case. We, the group we were on tour with, had our first tour of the Champagne Region all in French. That in it of itself isn’t bad, shocking, or in anyway noteworthy other than the fact that everyone on the tour spoke English, and maybe half spoke some French. Yes, the tour guide knew that. And yes, her boss who was overseeing the tour knew that. And yet….that still wasn’t enough reason to do the tour in English. “What was the reason for that?” you ask. It was because the Tour Guide lady was in training and the boss had to check and see her performance. Yeah…. *sigh* Just as a bonus: Alex and Fancy took turns translating for me, and if the “boss” could hear something was left out, she would explain the details in (perfect) English.

So. Fucking. French. *smile

The next morning, Karen took me on a bike riding adventure around the city just moments before leaving for the airport. It was slightly stressful getting a hold of the bikes, but it was soooooooo worth it. To top it off, it was one of the few moments it wasn’t raining; the sun never seemed so glorious as the day I rode around Paris on a grey, city bicycle. :)

In short, I had a delightful time and I can’t wait to go back. Sure, it was super rainy and Paris is full of French people, but those things only add to the charm of the city. If you’ve been debating about going – go! Watch Midnight in Paris before you go, bring someone you can cuddle with, and wander through the city with your umbrella in tow.

Note: This is mostly written as tongue in cheek.

Tie the Perfect Bow

I can’t begin to tell you how many times I’ve tied a bow and then had a friend retie it. Honestly (*nods head). I’m not even upset by it, just slightly befuddled. Until now (*valiantly thrusts arm into the air)!

Thank you Modcloth for showing me how to be a better woman (*hint of sarcasm there – did you catch the whiff?)! Favorite part of the video: the awkward shuffle-away at 0:45 sec. Second favorite part: learning to tie a bow.


Honeysuckle Rose

Choreographed by the indelible Mikey Pedroza and performed by the lovely Laura Keat and myself at the SF Girl Jam.

Gaaaaah, I love this routine. It’s beautiful, simple, and classy. Mikey, thank you for choreographing something so lovely. Laura, it was a pleasure performing along side of you. SF Girl Jam organizers, thank you for creating an event where two gals can dance with their gams out!!