So here’s something for the girls with short hair. I’m so jealous…..my hair just doesn’t hold a curl like this; it’s too heavy. As it says below, this look was inspired by the ‘Vintage Hairstyling’ by Lauren Rennells. If you’d like your own copy of the book, click here! My mum gave this book to me for Christmas last year. How sweet!!
I think this would be so lovely with a long dress. I want to say Nikki had her hair something like this for New Years. Perhaps someone will find a photo. Or maybe Claire? Or perhaps with was Sara? Hmm….I’ll start my digging….
What an impressive set of Travel Days I have had in the last two and a half weeks!
Here’s the run down on what it takes to be me (*tooting my horn):
May 17, Monday: 9:25am flight from Berlin to JFK. Arrive into Pittsburgh at 6:30pm.
Finally coming home from Europe! Can’t freaking wait! I’m basically coming home so I can rehearse for Camp Jitterbug and do some laundry.
May 20, Thursday: 7:00pm flight from Pittsburgh to Minneapolis. Arrive into Seattle at 11:30pm.
The idea was that I’d have time to spend with my family. Instead, I run errands for the next few days all over town.
May 24, Monday: 2:30pm flight to Orange County. Arrive 5:30pm.
Man, I love direct flights! They rarely seem to happen. It’s also fun to run into people I know, like Ben Morris. I want to rehearse with The Atomic Cherry Bombs before our performance on Friday night. Nikki was kind enough to let me work with the girls for about 2.5 hrs. We do a full dress rehearsal. I try to scare and motivate the girls 😀
May 25, Tuesday: 12:00pm flight to Seattle. Arrive 2:45pm.
Direct flights are fabulous! I rehearsed again before I left for Seattle. I continue to run errands until the day of the show.
May 28, Friday: JUMP SESSION SHOW 7:30pm
ROCKED IT. I was so very, very pleased with my ladies and myself. Sharon’s Bell Boy Routine went well and so did Stratosphere.
June 1, Tuesday: 5:00pm flight to Los Angeles. 10:30pm flight to Sydney, Australia.
June 3, Thursday: 6:30am arrival into Sydney. 9:15am flight to Perth. Arrive at 11:25am.
It’s glorious in Perth at the moment. Oh how I’ve missed the sun shining. I have class to teach from 8-10pm that night.
And there you have it. A rather crazy 2 weeks, wouldn’t you say?
What have I gleaned from my last two weeks?
It’s important to get your frequent flyer miles.
With those miles you don’t have to worry as much about over-weight luggage.
It’s important to pack layers.
Just because it’s “Spring” on the calendar doesn’t mean Mother Nature is going to play along.
Having gloves on you is never a bad thing.
“Days Off” are really just days to do all the chores I wasn’t able to do previously (translations: not really days off)
I must remember to schedule “Lazy Days” where I am just sitting around doing nothing. My scheduled “Days Off” aren’t working out the way I had hoped.
If you’re planning on performing something with a group of people, it’s worth the money, time, and effort for YOU to travel and go see them. It would have been a terrible idea to have not seen the Cherry Bombs before the show.
Never underestimate the power of a cupcake, especially when your best friend brings you one “just because.”
It’s important to run things full out. This means costume and body movement. Doing that the hour before the show does not mean you are well prepared. Remember, your building muscle memory when you’re rehearsing, so make it count AND you’d want to know if your who-ha was going to be showing before you got on stage.
(Ladies) Every performer should own false eyelashes and glue, bobby pins that match their hair color, hand mirror and fabulously bright lipstick.
Be gracious and understanding. It goes a long way.
Keep pushing. You’ll get to rest eventually.
Claire Pedroza might be a Vintage Hair Genius. She did my hair for CJ and it was in great shape until I left for Oz. Tons of compliments. She rocks.
EEEEk!!! I did it! WE did it!! Thank you Atomic Cherry Bombs for working so hard to get this number together. Nikki, thank you for all the extra time you dedicated to this number for me. This number wouldn’t have been half as good as it was if I didn’t have you and your girls. Thank you, thank you, thank you.
Two notes about the video: this is not high quality footage, but it is footage nonetheless. The lighting made filming this number rather tricky.
I am so very pleased with how this turned out. Hopefully I’ll be able to get some high quality footage of this number. Let me know if you find anything!
The story behind Honolulu:
I’ve had the idea in my head for the last year or so that I wanted to do a tribute to Eleanor Powell by recreating her Honolulu number. Unfortunately, I couldn’t tap and didn’t have the choreography broken down. About 3 months ago I finally started breaking down the first third of the routine and even though it was difficult, I had such a great time doing it. The routine is broken down into three parts: jazz, hula, and tap. I performed the jazz section at Swingin’ in Spring in Gotenborg, Sweden. The following week, the Icelandic Volcano erupted and I got stuck in Sweden for another 10 days. In that time, I managed to break down the tap section.
Mind you, I still don’t really tap and I am not a trained dancer – two very important pieces that would have made my life significantly easier. I downloaded the clip off of youtube and then frame-by-frame went though the entire routine and tried to learn the shapes as best as I could. I first learned the general outline of the leg movement (for the tap section), then added arms, and then tried to add in the actual taps. Luckily for me, the wildly talented Nathan Bugh helped break down some of the tap for me months ago and I used that as a starting point.
Relatively, the choreography wasn’t that difficult, but refining the details of my movement was (and still is). Eleanor Powell has technique up the wazoo and trying to learn her signature mannerism was very challenging. The way she holds her shoulders, her hand shapes, her arm positioning, her natural body movement, and her ability to spin are things that I have to constantly keep an eye on when I am running the routine. I often record my rehearsals and then go through them frame-by-frame and look for the missing details. Talk about tedious (but oh-so necessary)!
The greatest challenge for me has been learning how to spot. Before working on this routine, I could basically spot my partner, but in general, I’ve always had a pretty good awareness of where my partner was in relation to me and didn’t use spotting all that often. Eleanor Powell, on the other hand, spots like her life depends on it! Just check out this clip (fast fw to 5:05 and watch from there)!! So needless to say, I wasn’t going to be able to learn how to spin and spot like that in a month (in heels no less), but I certainly tried my best.
All the while I was working on the jazz and tap portion of the routine, I had to break down the choreography for the supporting dancers. This is where the amazing Nikki Marvin and her Atomic Cherry Bombs come into play. I sent Nikki some crappy videos of me trying my best to break down the supporting part, and nothing about that process was easy; from breaking it down, to emailing; from music cutting to uploading, all if it was a hassel. I’d send videos (which were filmed in mirror image – thank you MacBook camera) and emails trying to explain what I wanted, but really, Nikki watched the clip just like I did and broke the stuff down. She did such a great job and so did all of her ladies. To top it off, the Monday before Camp Jitterbug, I flew down to OC and rehearsed with the girls. Dang….I am sooooooo glad I did that.
I am thrilled with how it came out. Now I just need to find us more places to perform it!
On a final note, I must give a shout out to Claire Pedroza for doing my hair. I wouldn’t have looked that gorgeous (* toot toot) if it wasn’t for you. Thank you for making this (*running hands up and down body) look good!